Session Twenty-Three
Exercise 1 Exercise 2 Exercise 3
Exercise 1 Exercise 2 Exercise 3
A power chord is but a fragment of a barre chord, but they are much easier to play than a barre chord. This allows you… Read More »Power Chords vs. Barre Chords
Get more out of your practice time with these lead guitar practice tips. Practice Tips It’s a good idea to practice at least a little… Read More »Lead Guitar Practice Tips
In this tutorial we’ll explore low melody and high melody by studying a rendition of the song “Danny Boy” in which we’ve applied fingerstyle. The song snippet itself isn’t hard to play or even finger, but you’ll see that there are a quite a few note-related points of interest. This is VERY common in fingerstyle guitar. You really have to understand note values and how they relate, so I decided to add that right here before everything gets too complex. Before we begin this second introduction to fingerstyle guitar, we have to learn something very important.Read More »Fingerstyle Guitar: Low Melody And High Melody
Difficulty: IntermediateRead More »“I Did It” by Dave Matthews Band
Here we’ll deal with Amending Chords and Leaving Out Notes.Read More »Amending Chords
Difficulty: Intermediate Composer – Dubois / Lee / Lifeson / Peart Where to find this song – Moving Pictures track # 1 Release Date –… Read More »“Tom Sawyer” by Rush
The notes from the G major scale are G, A, B, C, D, E, and F#. There’s one sharp note (F#), but all the rest of the notes are primary notes. That makes it easier to remember what notes make up the scale. Just start on G and go through the musical alphabet. We start on G- then A comes next (unless you’ve found the secret “H chord”), then B, C, and so on. The last note in the scale is the one with the sharp and that’s F# (or G flat if you prefer).
The 7th scale step in the major scale is always a half step (or one fret) below the tonic.Read More »G Major Scale
Playing from memory is a skill that I believe is not only possible for every player, but is indeed essential for every player. I never feel that I know a piece, or have “internalized” a piece, until I have been playing it for quite some time from memory.
I always found it quite easy to memorize pieces, and thought everyone could do this, until experience in teaching taught me otherwise. As I began to study the subject, I gradually uncovered the reasons why I found it easy, and others found it difficult. I could summarize those reasons as follows:Read More »The Art Of Memorizing Music